annode
The first thing that strikes me is how well it was mixed and rendered. Mr. van Zyl's approach seems to have been to make the earthy electronics sound natural with every note deliberate and well placed in it's course moving through time and space. Favorite track: Vigil.
Steve Horne
From the first notes of "The Western Gate", the distinctive style of Chuck van Zyl is evident. Each track of the album tells a story- from the sequenced Berlin Style of "The Western Gate" to the more free-form ambient of "Vigil" and "Where the Woodbine Twineth", this album deserves headphones and the listener's full devotion. Highly recommended!
Favorite track: The Western Gate.
Throughout "Votive", the long-awaited studio album by Chuck van Zyl, he is heard continuously connecting with a profound love of sound. Across its three diverse tracks he realizes an exquisitely detailed Electronic Spacemusic. Each movement comes at you in a trek of tone, a hunt of harmony, a torrent of timbre. Yet, informed listeners will hear unity in the arrangement and the meaningful message it means to convey.
"Votive" ignites with the track "The Western Gate". Building monumental musical structures from layers of mechanized motifs, this star synth-smith signals feelings of certainty, possibility and potential. In the headlong drive of spiraling sequencer runs ratcheting patterns ascend in a striding motor-motion of echoing notes. Settling into a subtle Berlin-School clockwork, questing melodic lines bestow a heightened sensitivity to the promises of life.
The composition "Vigil" could not be more different. In a slowly unfolding ambient elsewhere each atonal shape shudders, then falls into place. In stirring sparks and charged currents this extended abstract wandering maintains a pristine musical surface. Negotiating a delicate balance between the questioning and the consoling, a secret sonic life is explored. Resounding in the resonance of memory, here the psychological terrain of the musician may be most truly felt.
"Where the Woodbine Twineth" leads us into a soft cosmos. Spare, but expressively pointed, a substantial atmosphere hovers. Progressing into stretches of luxurious chords and spacey, shimmering accents we encounter a tranquil zone for drifting and thinking. The poetry of its sustaining themes and expressive shades of sound sanction a magical release of thought. With a firm grasp of tonal organization and musical structure, craft, artistry and hidden cognitions are revealed.
Reveling in what he has made, Chuck van Zyl remains sensitive to the promises of the Kosmische Musik genre - and shines brightly within his music. A work such as "Votive" asks the genre to go further, and is an enormous gift to the discipline. Navigating the trackless void of space as thoroughly as it does the inner realm, Votive explores ideas of proportion and scale. As creative energy moves from the artist's interior to that of the audience, in this action both spheres may find their peace, beauty and meaning.
Chuck van Zyl has been at his own unique style of electronic music since 1983. His musical sensibilities evoke a sense of discovery, with each endeavor marking a new frontier of sound.
In early December of 2021 a circle of CIMA of PA donors assembled in the church sanctuary of St Mary's Hamilton Village for an intimate "Candle Concert" Chuck van Zyl
"Against the Fall of Night" was played live in the moment before a limited, enthusiastic, informed audience. Proceeds benefit The Rotunda in Philadelphia Chuck van Zyl
A majestic yet delicate album from Berlin school-style synth masters Node, recorded in 1994 but unreleased until now. Bandcamp New & Notable Mar 21, 2023